Midnight On The Great Western
In the third-class seat sat the journeying boy,
And the roof-lamp's oily flame
Played down on his listless form and face,
Bewrapt past knowing to what he was going,
Or whence he came.
In the band of his hat the journeying boy
Had a ticket stuck; and a string
Around his neck bore the key of his box,
That twinkled gleams of the lamp's sad beams
Like a living thing.
What past can be yours, O journeying boy
Towards a world unknown,
Who calmly, as if incurious quite
On all at stake, can undertake
This plunge alone?
Knows your soul a sphere, O journeying boy,
Our rude realms far above,
Whence with spacious vision you mark and mete
This region of sin that you find you in,
But are not of?
-
Thomas Hardy (1840-1928)
In this poem, Hardy uses
the boy’s train ride as a metaphor for a universal theme: he asks several
questions about life’s journey. Perhaps
the primary question is, “How much choice does any one of us have toward our
own journey through life? Or are we predestined through a set journey ‘toward a
world unknown’?”
Die Wetterfahne or Der Wegweiser? The Signpost at Merry Mount |
The Signpost
Translated from MΓΌller’s original German by Richard
Wigmore
Why do I avoid the roads
that other travellers
take,
and seek hidden paths
over the rocky, snow-clad
heights?
Yet I have done no
wrong,
that I should shun
mankind.
What foolish yearning
drives me into the
wilderness?
Signposts stand on the
roads,
pointing towards the
towns;
and I wander on,
relentlessly,
restless, and yet seeking
rest.
I see a signpost standing
immovable before my eyes;
I must travel a road
from which no man has
ever returned.
I posit that we have
signposts that guide us through life and at any given moment we may stop, contemplate
our position, and change course. We most
often can get off the train.
Look up, Observe, and Make
a Decision.
Safe journey,
CPW
Would love to discuss that with you sometime, Pat!
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